1
Assistant professor in history and civilization of Islamic nations, Zanjan University
2
M. A in history and civilization, Imam Khomeini International University, Qazvin Branch
Abstract
Abbasid era is considered as the merger of diverse cultures as well as the cultural, literary and artistic profound changes. Arabic poem in this era has mainly changed in terms of content and poets have acknowledged various social roles. Regarding the position of women during the social changes in this era, this writing using a descriptive-analytical method endeavors to investigate the character of woman in the poems of four selected poets, Abbas Ibn- e Ahnaf, Abolatahiyeh, De’bel, and Motenabbi in Abbasid first and second centuries, and each of them is of his own style. The findings of research reveal that in accordance with the interpretation of the poets of this era, the woman is considered as an illogical entity as she has been utilized to enrich the lyrics or to praise or satire of others.
Amani Chacoli, B. and Aqa Mohammadi, S. (2016). The Image of Woman in the Poems of Four Poets in Abbasid Era: Abbas Ibn- e Ahnaf, Abolatahiyeh, De’bel, and Motenabbi. History of Islam, 17(Issue 67), 229-250.
MLA
Amani Chacoli, B. , and Aqa Mohammadi, S. . "The Image of Woman in the Poems of Four Poets in Abbasid Era: Abbas Ibn- e Ahnaf, Abolatahiyeh, De’bel, and Motenabbi", History of Islam, 17, Issue 67, 2016, 229-250.
HARVARD
Amani Chacoli, B., Aqa Mohammadi, S. (2016). 'The Image of Woman in the Poems of Four Poets in Abbasid Era: Abbas Ibn- e Ahnaf, Abolatahiyeh, De’bel, and Motenabbi', History of Islam, 17(Issue 67), pp. 229-250.
CHICAGO
B. Amani Chacoli and S. Aqa Mohammadi, "The Image of Woman in the Poems of Four Poets in Abbasid Era: Abbas Ibn- e Ahnaf, Abolatahiyeh, De’bel, and Motenabbi," History of Islam, 17 Issue 67 (2016): 229-250,
VANCOUVER
Amani Chacoli, B., Aqa Mohammadi, S. The Image of Woman in the Poems of Four Poets in Abbasid Era: Abbas Ibn- e Ahnaf, Abolatahiyeh, De’bel, and Motenabbi. History of Islam, 2016; 17(Issue 67): 229-250.
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